David Ruether's USENET Posts
From Mid 1995 Through End 2002...A plethora of information and opinions on cameras,
lenses, camcorders, and other topics...
Go to: Posts Beginning 2003 Through Mid 2004
Go to: Posts Mid 2005 Through Mid 2007
Go to: Search Engine
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Go to: David Ruether Photography
Email: d_ruether@hotmail.com(Note: in the following posts, add a "don" in front of the "ferrario"
in all my web addresses, as in, "www.ferrario.com/ruether/"
becomes "www.donferrario.com/ruether/" - and use as my
email address, "d_ruether@hotmail.com".)
- 'AI'
- 'new' vs 'old'
- (operationally-obvious cameras2)
- -(B Atkins on diffraction)-
- -(responses to 28-200T posts)-
- --300mm Nikkor zooms
- --cheap-- dealers...
- -best- Mini-DV camcorder...
- -best- Mini-DV camcorder...2
- -best- Mini-DV camcorder...3
- -best- camcorder....
- -hum- with the MKE-300 on TRV900...
- -image-matte- in Premiere
- -objective- lens reviews...
- -sharpness-...
- -silent- tracks in Premiere...
- 0.7X WA converters for VX-2000
- 1 vs 3-chip camcorders...
- 1 vs 3-chip camcorders...2
- 1-30th for film-look in video...
- 1-30th for film-look in video...2
- 1-30th for film-look in video...3
- 1-30th second effects in video
- 1-30th second effects in video2
- 1-6th inch CCD camcorder...
- 1-CCD camcorder characteristics ..
- 1-CCD vs 3-CCD cameras .
- 1-CCD choice advice ..
- 1-CCD vs 3-CCD DV cameras ....
- 1-CCD vs 3-CCD camcorders...
- 1-CCD vs 3....
- 1-CCD 680-k vs megapixel pictures
- 1-CCD camcorder for low light...
- 1-CCD camcorder for low light...2
- 1-CCD vs 3-CCD...
- 1-chip vs 3-chip Mini-DV camcorders
- 1-chip Mini-DV vs 3-chip
- 1-chip vs 3-chip camcorder picture quality
- 1-chip vs 3-chip camcorder picture quality2
- 1-chip vs 3-chip camcorder picture quality3
- 1-chip vs 3-chip image quality
- 1-chip vs 3
- 1-chippers vs 3-chippers for image-quality
- 1-chippers and TRV900 for low-light
- 1-chippers and TRV900 for low-light2
- 1.4 vs 1.8
- 1.4X converters
- 1.4X converters for 500 mirror...
- 1.4X TC for 80-200 f2.8 AF
- 10 generations of rendering with Canopus codec ..
- 10, 8, 7.5, 6.2mm fisheyes...
- 10-generations forced renderings...
- 100 - 300mm f5.6
- 100 - 500mm f5.6-8 Cosina
- 100 and 135 E lenses
- 100 mm E 2
- 100 mm E
- 100-300 f 5.6
- 100-300 f5.6 zooms...
- 100-300 mm f5.6
- 100-300 Nik vs Tok 2
- 100-300 Nik vs Tok
- 100-300
- 100-300mm f56 2
- 100-300mm f56
- 100-500mm zooms...
- 1000 vs 2000 vs 150...
- 1000mm f10 MTO
- 1000mm mirror vs 500 + converter
- 1000mm mirror
- 100E vs 105M AF
- 100mm f2.8 E
- 100mm lenses...
- 100mm E compares well with the best...
- 105 f2.5 vs 105M
- 105 f2.5 for close-ups, and 500 f5...
- 105 f2.5 vs AF 105 M
- 105 f25 for macro
- 105 f25 vs f18
- 105 M AF vs MF versions
- 105 value
- 105 vs 100E
- 105's
- 105f18 vs 105f2.8 for portrait
- 105f18 vs 105f28 for portrait 2
- 105f28M vs 105mm f4M
- 105M + 180 vs 80-200
- 105M as short tele
- 105M CRC
- 105M MF Nikkor..
- 105M on tubes, converters, achromats 2
- 105M on tubes, converters, achromats
- 105M, 180, 80-200
- 105MFLAT
- 105mm Nikkors
- 105mm choice
- 105mm f1.4.....
- 105mm f1.4.....2
- 105mm f1.8
- 105mm f2.5 versions
- 105mm f2.5's
- 105mm f2.5
- 105mm new vs old
- 105mm Nikkors ++
- 105mm Nikkors +
- 105mm Nikkors 2
- 105mm Nikkors
- 105mm rear element differences
- 10th generation forced renderings with Raptor codec
- 12-02-97 FS posts
- 12-24mm f4 Nikkor ..
- 12-bit sound ...
- 12-bit vs 16-bit settings...
- 12-bit default in video cameras...
- 12-bit Premier problems
- 12-bit sound conversion
- 12-bit to 16-bit audio...
- 12-bit vs 16-bit recording
- 120 1000-speed film
- 128 vs 256 megs for Premiere 5.1
- 135F2
- 135mm f2.8 Nikkors ..
- 135mm f2.8 Nikkors ..2
- 135mm f2.8
- 135mm f2.8 E-Series
- 135mm f2.8 compact
- 135mm f2
- 135mm Tamron
- 14, 15, 16mm lenses
- 14A vs 14E
- 14XCONV
- 15 and 16mm Nikkors
- 15 and 16mm Nikkors2
- 15's
- 150-2000 vs 900
- 15mm f5.6...
- 15mm f5.6 and 16mm f3.5...
- 15mm f5.6 vs f3.5
- 15mm flare w gel
- 15mm polarizer
- 16 by 9 for video....
- 16mm f3.5
- 16mm f3.5 fisheye
- 16mm f3.5 Nikkor described
- 16mm f3.5 Nikkor
- 16mm fisheye vs 18mm non-fisheye...
- 16mm for landscapes
- 16mm vs 18mm 2
- 16mm vs 18mm 3
- 16mm vs 18mm
- 16_85
- 17 mm Tokina
- 17 mm Tokina2
- 17-28,19Viv
- 17-28mm Vivitar
- 17-28mm Vivitar
- 17-28mm Vivitar 2
- 17-28mm Vivitar lesson
- 17-28mm Vivitar
- 17-35 Nikkor ..
- 17-35 vs 20 Nikkor...
- 17mm Tokina
- 17mm Tamron
- 17mm Tokina ATX AF
- 18 vs 20 vs 24
- 180 ED
- 180 vs 80-200
- 180 + 2X vs 400 Sigma
- 180 AF versions
- 180 AF on TC
- 180 AF TC's
- 180 AF versions
- 180 AF vs 200 MF
- 180 AF vs MF
- 180 MF and AF
- 180 MF vs AF.
- 180 MF vs AF
- 180 panorama
- 180 vs 80-200 f2.8
- 180 vs 80-200 f2.8
- 180 vs 80-200
- 180 w converters
- 180's 2
- 180's 3
- 180's
- 180AF + TC201
- 180AF vs MF
- 180mm AF converters
- 180mm AF no probs
- 180mm with converters
- 180mm's
- 180_ZOOM
- 18mm f3.5 vs 20mm f2.8
- 2 drives on IDE cable...
- 2 kinds of photographers
- 2 Nikon lens lines
- 2-gig AVI limit...
- 2-hour Mini-DV masters on DVCam
- 2-ring zoom opinion
- 2-stop down ROT
- 20 vs 24
- 20 vs 18
- 20 vs 20-35
- 20's
- 20-24 non-D vs D
- 20-35 vs 20 + 35 vs 17 + 24
- 20-35 vs 24-120
- 200 AF + 6T and converters
- 2000 dollar 3-chip camcorders...
- 2000 vs 1000...
- 200mm + 1.4X
- 200mm f2 problem
- 200mm f4 AIS Nikkor ..
- 200mm f4 as macro lens
- 200mm macro lenses at infinity
- 2020 CLA 2
- 2020 operations
- 20mm Nikkors
- 20mm f2.8...
- 20mm f2.8...2
- 20mm Nikkors
- 20mm vs 24
- 20mm f2.8
- 20mm AF vs MF
- 20mm and sun
- 20mm f2.8 AIS vs AF
- 20mm f2.8 Nikkor vs zoom...
- 20mm f2.8 performance
- 20mm f2.8, -legendary-
- 20mm f3.5 vs f2.8
- 20mm lenses
- 20mm N vs 20-40 T
- 20mm vs 24mm
- 20mm vs zoom.
- 20mm vs zoom
- 20NvsCheapos
- 20X optical zoom vs digital zoom...
- 20X optical zoom vs digital zoom...2
- 20_16
- 21-35 Sigma and 90 Ser I 2
- 21-35 Sigma and 90 Ser I
- 21mm f4
- 21mm fit cameras
- 24 vs 20
- 24 AF vs 24 MF...
- 24 Sigma vs Nikkor vs zooms
- 24 vs 20
- 24's and CRC
- 24+50 vs 35-70
- 24-120 vs 24-85...
- 24-120 vs 24-85...2
- 24-120 vs 24-85...3
- 24-120 vs 24-85...4
- 24-120 comments
- 24-120 compared with other WA wide-range zooms
- 24-120 compared with other WA wide-range zooms2
- 24-120 distortion
- 24-120 distortion2
- 24-120 mag reviews 2
- 24-120 mag reviews
- 24-120 Nikkor rediscovered...
- 24-120 Nikkor rediscovered...2
- 24-120 Nikkor rediscovered...3
- 24-120 on N2000
- 24-120 revisited...
- 24-120 vs 28-200
- 24-120 vs 28-50 & 50-135
- 24-120 vs 28-70 + 70-300
- 24-120 vs 28-70 or 85
- 24-120 vs primes
- 24-120 vs T 28-200 2
- 24-120 vs T 28-200
- 24-120...
- 24-120mm vs primes
- 24-120mm quick description
- 24-120mm review 10--
- 24-120mm review 10
- 24-120mm review 2
- 24-120mm review 3
- 24-120mm review 4
- 24-120mm review 5
- 24-120mm review 6
- 24-120mm review 7
- 24-120mm review 8
- 24-120mm review 9
- 24-120mm review site address 2
- 24-120mm review site address 3
- 24-120mm review site address
- 24-120mm review
- 24-120mm zoom creep 2
- 24-120mm zoom creep 3
- 24-120mm zoom creep
- 24mm f2.8
- 24mm Nikkors .
- 24mm 2.8 CRC change
- 24mm 2.8 CRC
- 24mm and 28mm PC lenses...
- 24mm f2 vs f2.8
- 24mm f28 versions
- 24mm widest use stop
- 25-50mm f4
- 250 watt bulbs
- 28 - 200mm's
- 28 - 200mm zooms
- 28 - 70mm f3.5-4.5
- 28 and 85 lens recommendations...
- 28 PC
- 28-135mm T & wide-range zooms
- 28-135mm Tamron SP.
- 28-135mm Tamron SP
- 28-200 zoom
- 28-200 on F4...
- 28-200 vs 24-120
- 28-200 vs 28-135 Tamron
- 28-200's
- 28-200, 70-300, and JS and MP reviews
- 28-200mm first impressions
- 28-200mm first impressions2
- 28-200mm Tamron ASPH
- 28-200mm Tamron for concert
- 28-200mm...
- 28-50mm f3.5
- 28-70 vs 24-120 vs prime
- 28-70 vs 28-105 vs 24-120
- 28-70, 35-105's
- 28-70mm Tokina vs....
- 28-70mm Tokina vs....2
- 28-85 and 135E
- 28-85mm MF
- 28-90 Vivitar
- 283 voltage
- 285 vs 283
- 28E vs 50 quality
- 28mm Nikkors
- 28mm Nikkors
- 28mm Nikkors2
- 28mm D
- 28mm f2.8 E-Series
- 28mm f28's continued 2
- 28mm f28's continued 3
- 28mm f28's continued
- 28mm Nikkors ..
- 28mm Nikkors ..2
- 28mm Nikkors ..3
- 28mm Nikkors ..4
- 28mm Nikkors ..5
- 28mm Nikkors ..6
- 28mm Nikkors - and fast WAs ..
- 28mm quality comments
- 28mm aperture questions
- 28mm E 2
- 28mm E
- 28mm f1.4 Review
- 28mm f2.8 AIS vs AF-D
- 28mm f2.8 AI vs AIS...
- 28mm f28's 2
- 28mm f28's
- 28mm f3.5 non-AI
- 2CONVERT
- 2nd curtain sync...
- 2X converters
- 2x - 14x
- 2X converter recommendation
- 2X converter uses
- 2X converters on the 80-200 f2.8 AF
- 2x converters 2
- 2x converters
- 2X disadvantages
- 2X for 300 f2.8
- 2X for 50 f1.8 for macro
- 2X in macro work
- 2X Macro Vivitar doubled 2
- 2X Macro Vivitar doubled
- 2X with 105mm f2.8
- 2X's again
- 2X+ macro gear
- 3 - camera shoots and Premiere
- 3 vs 1 chip for light-source color
- 3-chip camcorder comments...
- 3-chip image recorded to TRV-9
- 3-D TV
- 3-D image-making
- 3-D images...
- 3-D stills and video, timelapse...
- 3-D stills from video frames
- 3-D TV
- 3-D video production...
- 3-D video
- 3-D video2
- 300 f4 vs f28
- 300's + converters
- 3000-dollar camera for docu
- 300AF vs 400AF
- 300mm f2.8 and TC300
- 300mm f2.8 vs f4
- 300mm and 400mm on converters
- 300mm choices
- 300mm f2.8 Nikkor vs the competition...
- 300mm f2.8s
- 300mm f4 problems
- 300mm f4 versions
- 300mm f4-4.5s on converters
- 300mm f4.5's on 1.4X converters
- 300mm f4.5EDIF on TC14A
- 300mm Nikkor f2.8s vs others
- 30mm filters, and alternatives...
- 30mm filters, and alternatives...2
- 30mm filters....
- 30th second video shutter speed for film look
- 30th second video shutter speed for film look2
- 32kHz to 44kHz in Sound Forge
- 35 - 200 mm
- 35 - 200 mm
- 35 and 28mm choices
- 35 f1.4 N vs 35 f1.4 L Asph.
- 35 f14 Leitz vs 35 f14 Nikkor 2
- 35 f14 Leitz vs 35 f14 Nikkor
- 35 f14 vs 35 f2
- 35 f3.5 PC not for F4
- 35 PC types
- 35 to X zooms
- 35 vs 50 f1.4 - bokeh
- 35-105 AF vs MF
- 35-105 D vs non-D
- 35-105D and slide evaluation
- 35-105mm AF-D
- 35-105mm Nikkors
- 35-105mm AF-D vs MF vs 35-70 f2.8
- 35-105mm revisited
- 35-200 vs 24-120
- 35-200mm Nikkor vs 35-70, 80-200 f2.8
- 35-70 f33-45
- 35-70 f2.8 vs 35-105 MF
- 35-70 f28
- 35-70 vs 50 vs 35, 85
- 35-70mm f2.8
- 35-X advice
- 35mm PC
- 35mm PC2
- 35mm f1.4
- 35mm architecture gear
- 35mm carrier that shows sprockets
- 35mm E
- 35mm f1.4 versions
- 35mm f2 Nikkors
- 35mm f2 vs f1.4
- 35mm f2 vs f1.4
- 35mm f2s 2
- 35mm f2s
- 35mm lens equivalents for video lenses
- 35mm lens for large format
- 35mm lens on 4x5
- 35mm Nikkor differences
- 35mm Nikkors...
- 35mm to TV and PC
- 35mm vs 120 VF's
- 35mm vs MF vs LF
- 35mm's compared
- 35mm-format lenses on video camera
- 35mm-lenses best-aperture...
- 35_14
- 35_14_2
- 36 exp w FE
- 36-72mm E
- 37mm-threaded camcorder lenses...
- 3D photos 2
- 3D photos 3
- 3D photos
- 3X converter
- 4 - DISTANCE GLASSES . . .
- 4 - distance glasses ..
- 4-distance glasses 2
- 4-distance glasses
- 4-distance glasses...
- 4-distance glasses...2
- 4-element enlarging lenses
- 4-pin and 6-pin FireWire
- 4-pin vs 6-pin FireWire problems...
- 4-way glasses
- 4-way glasses
- 4-way glasses
- 4-way glasses - diopters
- 4-way glasses pointer
- 4-way glasses solution
- 4-way glasses
- 400 f3.5 + 2X vs 800
- 400 film at 100
- 400 speed slide film
- 400 vs 300 + 14 x vs 80-200 + 2x
- 400+ lens suggestion
- 400-speed slides
- 4004 and filters-lenses
- 400mm f5.6
- 400mm cheap lenses
- 400mm's
- 43 - 86mm
- 43 - 86mm
- 43-86 mm
- 43-86, again
- 43-86, and other surprises...
- 43-86mm....
- 45mm TS EOS
- 4x5 tanks
- 4x5...
- 4x6 prints from 35mm vs 120
- 4x6 prints from 35mm vs 120B
- 5 0 mm f1.8 comments...
- 5, 7 lux and what it means for video shooting...
- 5-8-98 SLEMN pointer
- 50 75-150 questions
- 50 vs 60 for general use
- 50 vs 60 for general use2
- 50 E
- 50 f1.2 vs f1.4 vs f1.8...
- 50 f1.4 vs 28-70...
- 50 f14 vs 50 f18
- 50 to replace 35-80
- 50 vs 35-70
- 50 vs cheap zoom
- 50's 2
- 50's compared, again...
- 50'S(2)
- 50'S(3)
- 50'S(3A)
- 50's.
- 50'S
- 50-300mm
- 50-58mm f1.2s
- 50-58mm lens differences
- 500 mirror, grit in focus
- 500mm f8 mirror
- 500mm f8
- 500mm mirror
- 500mm f5
- 500mm f8 mirror...
- 500mm mirror DOF
- 500mm Nikkor mirror
- 500mm DOF return
- 500mm f8 older
- 500mm mirror comments 2
- 500mm mirror comments
- 500mm mirror quality 2
- 500mm mirror quality
- 500mm mirror recommendations
- 500mm mirror uses
- 500mm mirrors.
- 500mm mirrors
- 500mm mirrors2
- 500mm mirrorz
- 500mm mirz
- 500mm Nikkor mirror
- 500mm Nikkor mirrors
- 50E match for FM
- 50mm versions 2
- 50mm versions 3
- 50mm versions
- 50mm f1.4 vs f1.2-2
- 50mm f1.4 vs f1.2
- 50mm f1.8 Nikkors and AI vs non-AI
- 50mm f18's
- 50mm - D lens
- 50mm f1.2 vs f1.4 vs f1.8s
- 50mm f1.4 at wide stops
- 50mm f1.8 AF problem 2
- 50mm f1.8 AF problem
- 50mm f1.8 AF
- 50mm f1.8 vs zoom
- 50mm f1.8E problem
- 50mm f18 vs f14
- 50mm for full-length portraits
- 50mm macro
- 50mm suggestions
- 50_1P8'S
- 55 f12
- 55 vs 60
- 55mm f1.2 CRT
- 55mm oil on diaphragm blades
- 55mm on tubes
- 55mm vs 60mm sharpness
- 55mm vs 60mm 2
- 55mm vs 60mm
- 55mm f1.2 CRT Nikkor.
- 55mm f1.2 CRT Nikkor
- 55mm f1.2 CRT reversed at 3.5X
- 55mm f3.5 vs f2.8 2
- 55mm f3.5 vs f2.8
- 55mm f35 (copy lens 2)
- 55mm sticky diaphragm
- 55mm versions
- 55mm vs 60mm vs 105mm
- 55mm vs 60mm
- 58mm f1.2 Noct-Nikkor
- 58mm f1.4 value...
- 6.2-750mm Nikkor FS
- 60 vs 105 near 1X, w converters
- 60 vs 105M for...
- 60 vs 50 for general use
- 6006 TTL fill ratios
- 6006 vs 8008
- 6006 vs N50-N70
- 6006 with flash...
- 6006 with flash...2
- 600mm Solid CAT
- 60mm Micro-Nikkor
- 60mm Micro-Nikkor2
- 60mm at infinity.
- 60mm at infinity
- 60mm Micro-Nikkor at infinity - and now people believe...
- 60mm on 2X
- 60mmdiff
- 6db MIC PAD
- 70 - 210 f4 - f5.6
- 70 - 300mm, again
- 70 - 300mm, again2
- 70 - 300mm
- 70-180 macro.
- 70-180 macro
- 70-180 macro2
- 70-180 + F4 exposure oddity
- 70-180 comments
- 70-180 macro speed
- 70-180, 200M, 80-200 2-ring, 180
- 70-210 f4-5.6
- 70-210 f4E
- 70-210 E vs 80-200 f4.5
- 70-210 f4 vs f4-5.6
- 70-210 f4 vs f4-5.6
- 70-210 Sigma vs Nikon technology
- 70-210 vs 80-200 at corners
- 70-210 vs 80-200
- 70-210's recommend
- 70-210
- 70-210AF alternatives
- 70-210f4AF
- 70-300 vs 75-300.. .
- 70-300 vs 75-300
- 70-300 vs 75-300
- 70-300....
- 70-300....2
- 70-300mm ED comments
- 70-300mm ED comments2
- 720 vs 640x480...
- 720x480, viewed...
- 75-150E vs 70-210E
- 75-150mm E
- 75-150mm f3.5 vs. 80-200mm f2.8
- 75-150mm f3.5E optical quality
- 75-240, and other Nikon disasters...
- 75-300 + converter
- 75-300 vs 70-300...
- 75-300 vs 100-300
- 75-300mm tripod mt quality
- 8 vs Hi-8 image quality
- 80-200 converters
- 80-200 f2.8 on 2X converter
- 80-200 vs 180
- 80-200 with converters
- 80-200 + converters
- 80-200 + TC14 vs other zooms...
- 80-200 + TC14
- 80-200 D vs non-D
- 80-200 f2.8 for macro...
- 80-200 f2.8 on converters
- 80-200 f2.8 sharpness
- 80-200 f2.8 wide open
- 80-200 f28 w converters
- 80-200 f4 vs f45
- 80-200 f4.5 converter
- 80-200 on 2X vs...
- 80-200 vs 75-300
- 80-200 vs the to-300mm zooms
- 80-200, 300, 500, 1000 + converters compared 2
- 80-200, 300, 500, 1000 + converters compared
- 80-200, 70-210's
- 80-200mm f2.8
- 80-200mm f2.8 AF
- 80-200mm f2.8 converters
- 80-200mm f2.8 converters2
- 80-200mm f2.8 converters3
- 80-200mm f2.8 sample variations...
- 80-200mm f2.8 sample variations...2
- 80-200mm f2.8 for macro 2
- 80-200mm f2.8 for macro
- 80-200mm f2.8 versions
- 80-200mm f2.8 vertical brackets
- 80-200mm f4 AF....
- 80-200mm Nikkor...
- 80-200mm on t-pod 2
- 80-200mm on t-pod
- 80-200mm problems
- 80-200mm tripod mounting 2
- 80-200mm tripod mounting
- 80-200mm w converterz
- 80-min tape in TRV900
- 800 ASA color negatives
- 8008 vs 8008s
- 8008 vs 8008s meter pattern 2
- 8008 vs 8008s.
- 8008 vs 8008S
- 8008 vs N90
- 8008 vs 8008s 2
- 8008 vs 8008s 3
- 8008 vs 8008s.
- 8008 vs 8008s
- 8008 + SB-24
- 8008 and N90
- 8008 as manual camera
- 8008 auto-fill ratio with flash
- 8008 batteries dying
- 8008 cable release 2
- 8008 cable release
- 8008 crack
- 8008 electronic front releases
- 8008 jamming
- 8008 LCD illuminator
- 8008 loading behavior
- 8008 lockup 2
- 8008 lockup
- 8008 metering vs 8008s
- 8008 operation
- 8008 quirks
- 8008 rear curtain flash
- 8008 screen in N90..
- 8008 VF light
- 8008 vs N90...
- 8008 vs N90...2
- 8008 vs 8008s 4
- 8008 vs 8008s 5
- 8008 vs 8008s, N90, N90s
- 8008 vs 8008S
- 8008 vs N60...
- 8008 vs N90 finder sharpness
- 8008 vs N90
- 8008, 8008s meter patterns
- 8008...
- 8008S meter pattern
- 8008s vs N90s
- 8008s
- 800MHz vs more...
- 800mm f11 Solid Cat
- 801 replacement
- 801s
- 85 f1.4 CRC
- 85 f1.4 vs f2
- 85 mm Nikkors
- 85, 105, 135 MF quality
- 85-180 or 85-80 to 200
- 85AF vs 105
- 85mm f1.8AF
- 85mm Nikkors
- 85mm Nikkors 2
- 85mm Nikkors...
- 85mm Nikkors
- 85mm f2 Nikkor's ratings...
- 85mm f2 Nikkor's ratings...2
- 85mm Nikkors....2
- 85mm Nikkors...
- 85mm Nikkors...2
- 85mm plus TC14A
- 85mm z
- 85mm's
- 85mm, used
- 8mm converters on 35mm
- 8mm f2.8 alternatives
- 8mm Nikkor vs Sigma
- 8mm vs Mini-DV...
- 8mm vs Mini-DV...2
- 90 Sigma, achromat
- 90-180 Ser I
- 90-180mm Vivitar
- 90-180mm Vivitar
- 90mm Sigma macro
- 90mm f2.5 Vivitar Series I
- 90mm Vivitar Series I
- 90mm f2.5 Series I...
- 90mm f8 Nikkor coverage
- 90mm Sigma macro
- a couple of primes, or a zoom...
- a dishonest seller warning
- A features bury M features
- a sorority's good advice...
- a u c t i o n s . . .
- A-D pass-through with Sony camcorders...
- A-Spherical element
- about a Super Video Director
- about Fred Whitlock
- about lens tests 2
- About Lens Tests 3
- about lens tests
- about post line lengths
- about posting
- about Snappy
- about the 300mm problems person
- about the F2
- About zooms...
- accessories for a TRV25
- accessories for getting started in video
- accessories for PC9...
- accessories for the 30mm PC9 lens
- accessories for TRV950...
- accessories for video camera...
- accessories on F3 finder
- accessorizing the tiny PC9...
- accessory LCD monitor
- accurate viewfinders
- achromat makers
- achromats and close-up lenses for video...
- achromats for macro work
- achromats on 50mm...
- achromats on zoom lens
- achromats vs tubes
- achromats, tubes, and distortion
- Action finder for F, F2
- Action finder
- Acufine advice
- Acute-Matte screen
- ad hype and lens names...
- adapter rings, difficult combinations...
- adapting fisheye to 4x5
- adapting the MKE-300 mic to the VX2000...
- add diaphram to projector lens
- add fuse to flash supply
- Add-on motor snap vibration
- add-ons to 105M
- adding 2X to 60 macro
- adding more RAM for Premiere...
- adding still frame to extend clip in Premiere
- ADDITIO2
- addition to CHANGING CODECS
- ADDITION
- adjusting audio levels in NLE
- adjusting brightness-contrast in Premiere
- advice for camcorder and computer and accessories...
- advice for photo work
- advice in lens selection
- advice on F3 and lenses...
- advice to a beginner
- Advice to Beginner
- AE on F2 and D screen
- AE-bias on Sony 3-chippers
- aerial photography
- aerial photo lenses
- aerial photography
- aerial vs fixed focus planes...
- aerials, zooms, and advice
- AF accuracy
- AF accuracy
- AF indicator error
- AF VS MF rant
- AF vs MF
- AF - and distortion
- AF - M compatibility
- AF accuracy 2
- AF accuracy
- AF accuracy2
- AF accuracy3
- AF and zoom rant
- AF camera VF unsharpness
- AF camera VF unsharpness2
- AF camera VF unsharpness3
- AF camera VF unsharpness4
- AF complaints
- AF Curmudgeon Statement
- AF error with lens flare and ghosts
- AF for the needy
- AF gear quality vs old...
- AF improvements in video...
- AF indicators and locking problems
- AF lens barrel quality
- AF lens gaps
- AF lens on F2 2
- AF lens on F2
- AF lens on Nikkormat
- AF lens serial no location
- AF lens wobble
- AF lenses as MF lenses
- AF lenses on F2A
- AF lenses, flash recommendations
- AF on MF bodies
- AF problem
- AF slop range
- AF vs MF lens choice...
- AF vs MF 24mm...
- AF vs MF accuracy
- AF vs MF lens quality
- AF vs MF, 3-D subjects
- AF zoom comments
- AF'ing with converters
- AF, E, AIS quality
- AF-lens clunks...
- AF-RANT
- AFing MF lenses
- After Effects ..
- After Effects ..2
- AG-DVX100 vs VX2000, sigh....
- AG-DVX100 vs VX2000, sigh....2
- AGC comments...
- AI vs AIS MF lenses ..
- AI vs AIS MF lenses ..2
- AI - non-AI compatibility 3
- AI and newer features
- AI identification
- AI lenses on old bodies
- AI tab position
- AI vs AIS on N90
- AI vs AIS
- AI vs non-AI - how to tell
- AI vs non-AI bodies 2
- AI vs non-AI bodies
- AI vs non-AI identification
- AI' ing
- AI'd OK on AF body
- AI'D-NON
- AI'er 2
- AI'er
- AI'ing - White
- AI'ing lenses, whitejt3@aol.com
- AI'ing lenses
- AI'ing
- AI, again....
- AI-ing people 2
- AI-ing people
- AI-S lenses...
- aids for holding video camera
- air bulb instead of canned air...
- air-conditioner filter wind screen
- AIS aperture actuator lever function
- AIS aperture actuator lever function2
- AIS converters
- AIS on N70
- AITOAIS
- AK, SY on Weston repair
- alcohol on eyepiece
- aligning multiple sound tracks with clips in Premiere
- All-Rights photo contest
- Alps printer comments
- Alps printer
- Alps vs Epson and HP printers
- Alt-key scrubbing in Premiere
- Alt-key scrubbing in Premiere2
- Alt-scrubbing in Premiere...
- altering DV image characteristics
- alternatives to 80-200 f4...
- amateur gear choices......
- Ambi+Flash
- an effect in Premiere...
- analogue vs digital video ...
- analogue vs digital video ...2
- analogue vs digital video...
- analogue and DV input to computer
- analogue capture with camcorder
- analogue input for DV
- analogue input to VX-1000...
- analogue input with DV
- analogue pass-through hookups for Sony camcorders
- analogue vs digital audio capture...
- analogue vs digital vs mixed editing
- analogue vs digital vs mixed editing2
- analogue-input on camcorders
- analogue-input on Mini-DV camcorders
- anamorphic decoding in Premiere
- anamorphic decoding in Premiere2
- animated text in Premiere...
- animation with Mini-DV...
- animation with Sony camcorders
- animations with Mini-DV
- announce Bob's Baseball Game
- announce IR stereo photo
- announce SLE(MN)
- anti-spam2
- anti-spam3
- anti-spam4
- antispam1
- Aopen tube MB ..
- aperture and SS on cheap camcorder...
- aperture increments
- aperture readout of MF lenses on AF bodies
- Aperture Sequence
- aperture sequences
- aperture shift with variable-aperture zooms
- aperture shift with zooming...
- aperture shift with zooming...2
- aperture symmetry 2
- aperture symmetry 3
- aperture symmetry, area, etc
- Aperture, Shutter Speed, and Gain AND MORE...
- aperture, shutter speed, and gain...
- aperture
- apertures continuously variable
- APO vs non-APO
- appeal vs practicality in camcorders and computers
- applying audio filters uniformly to clips in Premiere
- AR-9 soft release, and long cable release
- archiving DV-footage
- archiving Mini-DV ...
- archiving DV footage...
- archiving Hi-8 on DV tape
- archiving Mini-DV...
- archiving video...
- arranging footage in Premiere...
- arranging footage in Premiere...2
- ART FILM-VIDEO...
- art video makers...
- ARTHUR
- AS-7 shoe
- ASA for tungsten exposure
- aspherics in converters
- ATI Xpert video card
- Attributions of posts
- audio and photo nutty myths
- audio bumps in editing video
- audio clipping causes, cures
- audio control in Premiere
- Audio ears vs meters
- audio gear quality for video...
- audio in video...
- audio interleave nos. for Spark
- audio into computer
- audio level control in Premiere
- audio mixing in Premiere
- audio mixing in Premiere2
- audio model types
- audio pops in Premiere
- audio pulse in captured DV
- audio settings...
- audio-mania. .
- audio-mania. .2
- audio-mania. .3
- audio-track saving tools
- audio-track saving tools2
- audio-track saving tools3
- audiomania and cables...
- audiomania and cables...2
- audiomania and cables...3
- auto flash as light timer
- auto macro advice for DOF
- auto-loading jams
- auto-shutdown and PD150...
- auto-shutter mode...
- Autocord vs Yashicamat
- AVIs and long videos...
- avoiding crashes in Premiere
- avoiding dropped frames with preview-quality...
- avoiding dropped frames with preview-quality...2
- avoiding light source reflections in lens
- Azden mic systems
- Azden mic systems2
- Azden mics
- Azden mics2
- Azden or other wireless mic system ..
- Azden radio mic system
- Azden wireless mics
- Azden wireless comments
- Azden wireless mics
- Azden wireless system...
- B & H - import vs US film
- B & W from color negatives
- B & W prints from color slides
- B and E screens
- B&H...
- B&W Filters
- B&W filter recomendation
- B&W filters have little effect
- B&W filters
- B&W from color neg
- B&W TTL error
- B&W tung exp different
- B&W vs Hoya vs Tiffen
- B&W vs Hoya vs Tiffen2
- B-H uproar...
- B-W video viewfinders ..
- B1, geared, and fluid heads
- back-pack video camera...
- back-up, storage of video files
- back-up, storage of video files2
- back-up, storage of video files3
- backfocus and focus-shift with zooming
- backfocus and focus-shift with zooming2
- bad combo of lens, body, flash
- bad copyright case judgement
- bad copyright case judgement2
- bad copyright case judgement3 - MP
- bad filter 2
- bad filter
- bad Nikkors 2
- bad Nikkors
- bad reciprocity-failure answer...
- bad track to mono...
- bad trade
- bad video dealers...
- balanced or unbalanced mic lines...
- Ball Heads
- bank video story
- bare-bulb flash cheap
- barrel-distortion and Canon WD-58
- Basic camera outfit
- basic DV editing info...
- Basis for the Nikkor evaluation list numbering
- BAT-PACK
- batteries for FE
- batteries for small Sony camcorders
- batteries for the VX2000
- batteries, chargers, and cases for Sony camcorders
- battery chargers for Sony camcorders...
- battery-less shutter operation
- battery-less shutter operation2
- battery-pack suggestion
- bayonette play
- bayonette play2
- BC posts...
- beaten equipment
- beep-fix
- beep-fix-2
- beep-fix-3
- beep-fix-4
- beep-fix
- beeper timer
- beeps on playback
- beginner questions
- beginning with Premiere
- being a Sony rep......
- bellows for F3
- Bellows use
- bellows vs other for macro
- bellows
- belt-pods and audio for VX-2000...
- Bessa vs Hexar...
- Bessa vs Leica...
- best 8mm fisheye...
- best light meter ..
- best 1-chip Mini-DV camcorders vs TRV900
- best 28-135 zoom
- best 3-chipper for low-end low-light work
- best 500mm mirror
- best AF in video cameras
- best all-around Mini-DV camcorder....
- best aperture
- best camcorder under $800...
- best camcorder under $800...2
- best camera for big-screen under $7500
- best codec for Mac...
- best DV card...
- best DV codec,,,
- best DV tape...
- best DV-codecs ..
- best fast lenses...
- best finders for eyeglasses wearers
- best Hi-8 vs worst mini-DV...
- best large format lenses....
- best lens around 200mm
- best lens line
- best lenses
- best low-light Mini-DV camcorder
- best mid 2001 video camera for stills...
- best Mini-DV tape...
- best mini-DV viewfinder...
- best Nikkor normal lens...
- best Rollei 35 versions
- best shutter speed for video ..
- best shutter speed for video ..2
- best slide films, projectors
- best stop, and checking lenses
- best stops for best sharpness
- best stops for best sharpness2
- best tele converters for the VX2000...
- best times for buying, selling gear
- best ultrawides
- Best under 1500-dollar camcorder...
- Best under 1500-dollar camcorder...2
- Best under 2000-dollar camcorder...
- best under-$1500 camcorder
- best very-wides...
- best video and still image quality
- best WA zoom
- best way for large moon image
- best way to see camcorder-comparison clips...
- better color under lights
- better image quality than the TRV20...
- better zooms...
- bifocal set-up
- big battery power for TRV900...
- big battery power for TRV900...2
- big tele vs small + converter
- bigger FG
- binocular-image in Premiere...
- bird lenses
- black bars at frame edges
- black letter edges in Premiere titles
- black monks cloth
- black print borders
- blacking tape ...
- blacking tape for time-code continuity
- blacking tape...
- blank frames with N2000
- blanks between takes...
- bleeding edge computers...
- blotchy yellow in PC101 images...
- blow up 85mm image vs 300mm
- blue outdoor WB...
- BLUE_SKY
- blurred edge, sharp center in Premiere
- bmp jitter...
- BN aka HTH aka DR + style
- BN aka HTH aka DR
- BO-MING
- Bob Atkins help
- Bob White, and the theater organ
- bodies that accept WL finders
- bodies with glasses
- body choices, metering
- body focus errors 2
- body focus errors 3
- body focus errors
- Bogan geared head
- Bogen tripod for video...
- Bogen video tripod...
- boring-video ideas...
- bounce flash
- bounce TTL flash
- brand preference
- breathing on lens
- bright screen in F 2
- bright screen in F
- bright screens
- bright-screens...
- brightening video footage...
- brightening footage in Premiere...
- brighter F3 screen
- brilliance vs contrast
- brilliance, contrast, signal-processing
- bringing slides into Premiere
- broadcast video quality...
- broken AI tab
- BS' credibility...
- bug photos
- bug shooting gear
- bulk loading 2
- bulk loading 3
- bulk loading tips
- buy an XL-1 or TRV-900...
- buy deck or camera...
- buy the demo TV, not the new one ..
- Buying a camcorder ...
- buying a PD150 ....
- buying a TV...
- buying camcorder ...
- buying a camcorder...
- buying a Mini-DV camcorder and accessories
- buying a Mini-DV camcorder and accessories2
- buying a small camcorder...
- buying a TRV-900...
- buying a TV...
- buying a used body
- buying and selling experience
- buying new vs used electronics
- buying used long lens
- Buz workaround...
- Buz workaround2
- C A L I B R A T I N G camera meters....
- c a m c o r d e r advice...
- c a m c o r d e r choice...
- c a m c o r d e r selection
- c h o o s i n g a c a m c o r d e r . . .
- c h o o s i n g a c a m c o r d e r . . .2
- c h o o s i n g a camcorder.....
- c h o o s i n g a camcorder.....2
- c h o o s i n g a camcorder...
- c h o o s i n g a camcorder...2
- C L A's
- c lens checking article
- c lens checking
- C mount adapters
- c o d e c s . . . for Mini-DV
- c o n v e r t e r s
- C o o l E d i t ..
- c opyright
- cable release for 8008, N90
- cable release substitution N2000
- cable-release adapter for 8008
- CALIBRATING camcorder for WB and exposure
- calibrating camera meters
- calibrating meters
- calibrating TTL meters
- call for insurance info replies
- call for insurance info
- Cambron 500mm f8
- camcorder choice....
- camcorder choice...
- camcorder choice...2
- camcorder selection ...
- camcorder sound...
- camcorder standards...
- Camcorder buying advice . . .
- camcorder comparison articles...
- camcorder comparison issues...
- camcorder for serious use...
- camcorder mics
- camcorder or deck for second transport...
- camcorder purchase advice...
- camcorder purchase advice
- camcorder resolution
- camcorder REVIEW URLs
- camcorder reviews ...
- camcorder s e l e c t i o n . . .
- camcorder selection ...
- camcorder service ...
- camcorder vs DV-VCR
- camcorder - comparisons...
- camcorder - Sony or Canon
- CAMCORDER - STANDARDS
- CAMCORDER - STANDARDS2
- CAMCORDER - STANDARDS3
- CAMCORDER - STANDARDS4
- CAMCORDER - STANDARDS5
- CAMCORDER - STANDARDS6
- camcorder and editor on a budget...
- CAMCORDER ATTRIBUTES TO LOOK FOR...
- camcorder audio mini-plug...
- camcorder auto turn-off
- camcorder auto-turnoff...
- camcorder basic features needed
- camcorder battery pack
- CAMCORDER CHARACTERISTICS to look for...
- camcorder choice basics...
- camcorder choice....
- camcorder choice...
- camcorder choice..
- camcorder choosing...
- camcorder close-up lenses
- Camcorder Comparison article comments
- camcorder comparison plug, again....
- camcorder comparison plug, again...
- Camcorder comparison web site